Indian - Actress | July 31, 1992 -
It's great that we have commercial filmmakers who make family films and understand the aesthetics well, taking this route. They know how to bring the emotions out there without being vulgar. After all, it's a natural instinct.
Kiara Advani
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At the end of the day, films mirror our society. It will take time for everybody to open up to this and accept it. They are not instantly going to sit up and change the way they think about it.
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'Machine' was one of the biggest decisions I have taken in my life - it was the best narration till date. It is a typical Abbas-Mustan thriller.
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When I started with 'Fugly', I was excited that I was playing a raw and edgy character in the film. After I nailed the audition, I realised that the role wasn't something I was comfortable with.
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I just won't sing and dance in a film. But when you have a chance to star in an Abbas-Mustan film, why will anyone let it go? I have been lucky to do films which have been different from each other.
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I was waiting for good films after 'Fugly' released. My second film was important. I kept waiting, and the period strengthened me. I would rather wait and do something worthwhile than take up bad films.
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I signed my first film soon after I graduated from college. So, my real struggle started after my first film didn't do too well. But I believe failure only makes you stronger.
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Sometimes, the fate of a film is not in your hands, and you can only take home some experiences and what you got to learn during the journey.
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I am very excited for my special appearance in 'Kalank,' since it's a huge film and it's the first time I am doing something in the period space.
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You have ups and downs in any field, but the wait will always be worth it if you love your job.
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If you are passionate about something, with hard work and opportunity, you will continue as long as you are enjoying what you do.
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My first-ever meeting with Abbas-Mustan sir was for three-four hours! I haven't met anybody for so long, even those who I know well.
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