American - Actress | July 23, 1974 -
My life is a big accident, so where I end up, I think it's all accidents.
Kathryn Hahn
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And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.
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I've always done theater. I've never thought of myself as a comedic actress in any way. 'Anchorman' kind of cracked that open. When I got a small part in 'Anchorman,' I didn't know it was possible on camera to improvise. So I was like, 'What's happening?'
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I was on vacation with my family when I got the scripts for 'Wanderlust' and I was trying to work on the audition while I was on vacation. I remember a big gust of wind blew the entire script into the pool, so I had to dry it with a hairdryer.
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'Free Agents' was an awesome experience. I never play the glam girl in anything, so that was a new experience. I would walk into one of my trailers and it would be like Spanx, a spray-tan gun, and chicken cutlets. I would have hair extensions. It was hilarious. Every day felt like I was turning into an awesome drag queen.
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I don't want to ever say to somebody, 'You don't have to see it. It's not good.' I'm done with that. I'd love to just do things that I respect. That being said, I do have two children to put through school, so we'll see if I can put my money where my mouth is, but I would love to just work with people I respect.
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Even the shows or movies that we know are not going to change the world, I love this. I love 'em. I'm a movie fan. I'm a nerd of any kind. I love a big studio comedy as much as I love the teeniest tiniest of indie. I'm not a snob in that way. I really do like a big, big studio comedy.
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As an actor, you know, I love not being pigeonholed, which is great. No one really knows who I am. So that's a positive.
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I think I was always a drama queen. I really, really, really loved playing pretend.
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There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.
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There is a lot of kissing in 'Boeing-Boeing.' A lot! And not pecks on the cheek or lips - although there's some of that, too - but full-on, farcical lip locks. My poor husband. He definitely wasn't prepared for as much smooching as there is.
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I feel grateful that the person I end up working with a lot is Paul Rudd. He's a prince among men, and so talented, and generous, and effortless.
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