American - Director | May 7, 1983 -
I thought I was depressed because I wasn't a writer/director. I moved into a space where I'm a writer/director, my movie is a hit at Sundance, I have a wonderful, loving boyfriend, and wow, I have financial stability. Why can't I get out of bed still?
Justin Simien
SpaceThoughtFinancialLovingWhy
Shows like 'Empire'... one of the most profound powerful things is that there's a gay male character who is loved. That character is going to save a lot of people's lives. Black families are confronting the idea that a gay black character can be human.
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I remember distinctly not seeing myself. I didn't see myself in black culture, white culture, mass culture.
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For me it's just, I have too many ideas, man. It's a problem, actually.
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It's called 'Dear White People,' but really, it's about these black characters and how they are involved or not involved in a racial scandal in ways that might surprise them and others, right?
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Racism is systemic: It's oppression that's built into the laws, legislation, into the way neighborhoods are policed, and into job opportunities and health care and education.
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I think we are aware that post-racialism isn't real, right? I mean, I hope so. I kind of joke that we're post-post-racial.
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The downside of doing a multi-protagonist movie is that you don't get to service each character as you would if they were the central protagonist of the movie.
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Shonda Rhimes has figured it out, of getting multiracial casts on television and appealing to everybody.
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I want the Latino 'Do the Right Thing' to happen. I want filmmakers whose voices are not represented to get a shot.
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Everyone is very aware that, not only do we have a race problem, but it's so pervasive that it affects national and global politics on a scale that I don't think a lot of people imagined.
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One of the things that I love about Robert Altman's movies is that, really, a Robert Altman movie is just a bunch of short films about various people told at the same time.
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