American - Actress | December 2, 1925 -
I liked Live and Let Die, where money was no object.
Julie Harris
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I liked The Slipper and the Rose, as I have already mentioned, because it was such a lovely film to do.
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I saw a very good Hollywood film the other day. It was about Cole Porter.
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I wish we did have responsibility for the hair. I have been screwed up by the hair on many occasions.
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I would loathe to work on modern films.
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It's nice when you work with someone who has an eye for clothes and will show what you've given them.
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John Schlesinger had one of his friends designing it and he had never done a film before. Ten days before it started, they didn't have any costumes. I was rung up and joined up.
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On the speech day, the production designer, who has a lot of say in things, and sometimes I didn't agree with him but I had to do what I was told, wanted the speech day to be all in neutral colours for the women, which was a good thing.
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Richard Chamberlain on The Slipper and the Rose was lovely to work with. He wore the clothes so beautifully and sang his songs so well.
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Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.
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That's another thing about today's stars that makes me glad that I'm not doing it any more. The stars come with ten people all around them. I don't know how you ever make any personal contact with them.
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The actors nowadays, both young men and young ladies, don't always wear their period clothes as well as they might. They tend to stomp around a bit in them.
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