Spanish - Director | May 9, 1975 -
The good thing about helping an actor create a performance is, you really don't know how you're going to do it. It's a challenge every time you get to the set. That keeps the energy flowing all the time.
Juan Antonio Bayona
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With actors, it's really about feeding them all the time. I don't get involved in their process. I try to do the opposite, feeding them, feeding them, feeding them, and you can see very easily how they react to it.
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There is a company in Barcelona called Headless, and I was a huge fan. I love their style. I had been trying to work with them for years. 'A Monster Calls' was the perfect project to work on with them.
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There is not a great Spanish tradition of ghost stories. But in the period of Franco, you'd find these ghost stories: sort of hidden political movies that were supposed to be about ghosts but were about something else.
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Movies by Carlos Saura and others had ghosts, memories from the past, that they used to make a political point. Things you couldn't talk about openly, you could speak of through ghosts.
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Every Monday night, there was a scary movie on Spanish TV, so my parents used to send me to bed. I remember lying there, listening to the TV, and imagining the movie in my head. And so probably the scariest movies I ever saw in my life were the ones I imagined.
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After 'The Orphanage' and 'The Impossible,' 'A Monster Calls' is the perfect final chapter in a trilogy centred on the extraordinary strength of the mother-child bond.
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It's always good to have a limit because it forces you to think about all the ways to get what you want.
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