American - Novelist | 1962 -
Here is what I am not going to do: I am not going to go to a restaurant, take pictures of my food, download them, and call that a blog. That is beyond the pale. The Internet is such a bazaar of self-indulgences that I don't know why that particular one should bug me so much. But it really does.
Jonathan Dee
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Children go from being a kind of cultural protectorate to the Junior Auxiliary of the tube-watching nation at large, and programs are designed for them on the same principle as they're designed for grown-ups: as a way to sell eyeballs to advertisers.
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Tween programming is so retro that the shows even have theme songs, something the quest for more commercial time drove out of prime-time television years ago.
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Those who know New York City primarily through tourism or mass culture may think of us natives as possessing certain shared characteristics, not all of them flattering. But the true, volatile charisma of New York lies in how balkanised it is.
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New York is ultimately not the synthesis but merely the sum of its unfathomable subjectivities, its personal histories, its uncategorisable figures.
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I seem to have a talent for writing endings that seem just right to me but that frustrate other people.
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There's no path to being a writer that's applicable to everyone. Some young writers have the fortitude to work in a vacuum. For me, it was important to have some sense that my failures weren't unique.
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I wrote my first novel in the same conditions as most first novelists - I had a full-time job, I shared an apartment, I had no time - and so I became a compulsive outliner of everything. Ever since then, my process has consisted of trying to forcibly rid myself of that compulsion.
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I am hopelessly devoted to paper. Nothing against e-readers of any sort - anything that keeps people reading is okay by me - but I am not, historically, an early adopter of such things.
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