American - Musician | September 30, 1935 -
My mom loved my Christmas music, so I did an awful lot of it!
Johnny Mathis
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It's the most personal thing that I do is sing. Because I can't tell a lie. I want them to know exactly what I'm feeling.
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The world changes. The world is completely different now from when I was growing up. Back then, you didn't say things like they say now, out loud, about race and things. But that's just progress. When are we going to find out that we're all the same - we're all absolutely, without a doubt, the same?
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I've been very happy to see some of the success that I've had along the way in opening the eyes of people, especially people who listen to music.
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I'm always thinking about songs and how I can sing a song that would resonate with my voice, my persona. I want it to be a pleasant experience that's not just about hearing my voice. I remember some singers whose voices were so pretty, it didn't matter what they sang - you loved it.
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I think it's important to cultivate as many people as you can to see which ones you jive with. And it makes you happy. If one dies, you have another one. So living is a process that you have to do by yourself, and if you can learn a few little goodies along the way that might make it easier for you, so much the better.
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I've found that the more friends I have, the luckier I am.
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At this stage, most of the awards I get are concerned with my longevity. Even I'm amazed at myself because there have been new generations since I've been born and new music that they create, so it's amazing to still be on the radar.
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First, I try to take everything away that doesn't matter to singing. It sounds simplistic, but it works. There is absolute focus on singing: producing sounds and emotions that I have always enjoyed. This is key.
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When I was 13, I used to go to a jazz club. The owner of the club became my first business manager. She was very gutsy and had a lot of friends, one of whom happened to be the head of jazz at Columbia at the time. That's how it all began.
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I decided right away that whomever was going to advise me had to be fundamentally interested in music. This protected me from the skullduggery common to the music industry then and that still exists today. Of course, using this method meant that some things we didn't know and just had to learn how to do it together.
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There was a time when I was in the South, singing, and someone came to me before the show and said, 'There's been a threat on your life. Someone had phoned in and said they were going to shoot you if you go on stage.' I was singing 'Chances Are,' and I kept moving so they wouldn't have a shot at me.
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