American - Author | September 24, 1950 -
The conventional Aristotelian plot proceeds by means of a protagonist, an antagonist, and a series of events comprising a rising action, climax and denouement.
John Kessel
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There must be a dozen films now based on Philip K. Dick novels or stories, far more than any other published science fiction writer. He's sort of become the go-to guy for weird science fiction notions.
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I don't know if this is a stumbling block, but I had a real setback when I won a Nebula Award for the first story I ever had nominated for a Nebula in 1982. And you might think that was a good thing - and it was a wonderful thing, I don't regret it a bit. But I was sort of discombobulated by it.
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One of the influences of Kafka over later writers is not so much in the content of his work as in its form.
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Since my first encounter with Kafka's writing, I've been interested in a quality that, while he was alive, stood in the way of his achieving a large reputation: his allegory.
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Kafka's inevitable tropism for the allegorical puts him in marked opposition to the realism that dominated the literary world of the first half of the 20th century.
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Kafka is not interested in documenting the manners and mores of any particular place; he is not interested in probing the psyche of individual characters.
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