American - Comedian | September 26, 1965 -
People who don't have experience setting healthy boundaries, they have secrets instead.
Jill Soloway
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My sister and I created a show called 'The Real Life Brady Bunch,' which was sort of a theatrical sensation that got us attention in L.A. and New York.
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After 'Nikki' and 'Steve Harvey,' I had written on a show called 'The Oblongs,' which was pretty well respected and had a lot of 'Simpsons' writers on it. So I was a TV writer with an interesting voice at that moment.
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'Six Feet Under,' for me, was college. Alan Ball and Alan Poul ran that show and really taught me what it meant to really run a show in a classic way.
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Something I've really been wanting to do, ever since 'Six Feet Under' ended, was create my own version of this idealized writer's room as well as the ideal family.
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I took all my TV experience and what I learned about - by writing and directing and bringing a movie to Sundance - about the realities of the independent film market: 'Transparent' is the marriage of those two situations.
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I always love the soapy conflicts between somebody's family of origin and their new family - 'Do I have Thanksgiving at my husband's parents' house, or at my parents' house?'
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Normally, you cast a pilot, and you have to make compromises about being political about who you cast.
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I wouldn't necessarily say that 'Alpha House' or 'Betas' embodied a particular vision of Amazon of the kind of brand or programming they were gonna do. I think those were the first lucky creators who hit it right for them.
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I've been writing about misogyny for 20 years and trying to understand what femininity means for my entire career.
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If you're female, and you want to express your femininity, you're actually demonized in the 'Free To Be... You And Me' generation.
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I really relate to the feeling of falling in love 10 times a day and wishing I could never stop falling in love.
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