American - Photographer | July 10, 1967 -
I started spending time at stables with my daughter while she was riding. I was reminded of my love for the form and different aspects of the horse. Then I thought about the bit, halter, and bridle in terms of how we harness and ride this animal. There were a lot of interesting elements to explore.
Jill Greenberg
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The still image continues to have a ton of strength. An image taken out of context from one fraction of a second to the next can tell a story, and if photographers are looking to tell a certain story, they can curate those slices of time to their advantage.
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Making children cry for a photographer can be considered mean. But I would say that making children laugh and show off their jeans for an apparel ad is just as exploitative and less natural. Toddlers' natural state, like, 30 percent of the time, is crying, and it doesn't indicate pain or suffering.
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The most dangerous fundamentalists aren't just waging war in Iraq; they're attacking evolution, blocking medical research and ignoring the environment.
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I have two children of my own. Crying is not evidence of pain or any real suffering. It's really just the way children communicate.
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No one would bring their horse into a studio, because they don't want to bring their prized animals into an environment where they wouldn't be comfortable or where they might panic and hurt themselves.
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Horses are prey animals, and most of the other animals that I've shot are predators. If you act mellow with predators, they know that they can kill you, so they are cool, but if you work with prey, they think that you're going to kill them at any moment.
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I have a list of ideas that I want to do for my art series, but I'm always trying to figure out what's going to work. Ever since I was in art school, I would read and get ideas. Sometimes the photograph sparks an idea in me, and I continue in that direction.
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As ecstatic as I was at the birth of my daughter, I felt selfish bringing her, and later my son, into our screwed-up world.
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