Chinese - Actress | June 22, 1987 -
We lived in one of those half-basement apartments, and on our first night of being in America, someone reached through the grate that protects the window and stole our laundry detergent - which wasn't a big deal, but it felt symbolic when I heard about it later as an adult.
Jenny Zhang
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I went to school in California, at Stanford when I was seventeen, and I lived in San Francisco until I was twenty-three, and then I lived in Hungary for, like, a summer, and then I went to Iowa for three years. At Iowa, I actually did the fiction program, not poetry. I was a fiction writer for a long time before I was 'out' as a poet.
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When I was an undergrad at Stanford, there was a girl named Jennie Kim who worked for the school newspaper. Sometimes people would come up to me and talk to me about articles she had written. 'That one on getting a Brazilian was hilarious', some guy said, high-fiving me.
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I know I am not the first woman to ask this, but how can I be both damaged and loveable? How do I become the protagonist of a story?
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As a child, I would go days without speaking, and then suddenly I would scream until everyone was looking at me.
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The year my mom worked as a secretary at an apparel company in midtown, she would often come home in tears because she had mistakenly called her boss by another coworker's name. 'You know how it is,' my father said, 'they all look the same. It's not your mom's fault. There's just no telling them apart. Same high nose and deep-set eyes.'
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I just submitted what I had to the 'Octopus Books' contest open reading period, and they said they wanted to publish my poetry book. Then I started to publish more and more poetry because people would ask me to do readings or ask me submit something for their journal.
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Poetry was my dirty little secret when I was a fiction writer at Iowa, and then fiction became my dirty little secret when I started writing more poetry and working for 'Rookie'.
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With nonfiction, I had to learn how to be a clear communicator, but it was also a relief to be able to articulate some of my political ideas and beliefs. I also try to do that in my fiction, but I'm more interested in asking questions that lead to more questions, mysteries that lead to more mysteries, rather than immediate answers and solutions.
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I wish it wasn't so natural for me to dwell on the past.
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I'm always interested in what is seen as obscene or profane or unfit.
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I don't think I can ever write about young kids anymore. I completely shot my wad there.
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