American - Novelist | 1963 -
I outline in some detail, but even after the outline is done I often get a new idea that is an improvement, so the outline is a living, breathing thing as well. I also re-outline when I'm two-thirds done, to be sure that there is an emotional payoff from all the plot lines and to be sure the story is as tight as it can be.
Jeff Abbott
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No one forces me, or any other writer, to sell a film option on the books. If you don't want to run the risk that the filmmakers may adapt your work in a way you don't like, then you don't sell the option. You know when you sell it that they will have to make some changes, just because film and TV are different media than books.
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It's not at all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book. If I do that well, I feel, good tidings generally will follow and readers will stick with me.
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I do think Austin is a great town for writers; we have a lot of them here. But I grew up in Austin, and so I didn't move here because it was a creative mecca; I was just lucky to live here.
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I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
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The nicest notes I've received from readers are those that tell me I've gotten them back into reading for entertainment. For me, there is no greater compliment.
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I want to be a writer you can always depend on for a good read during your vacation, during your flight, during a time in your life when you want to forget the world around you.
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I travel, a lot, to research the locales for the books. I have professional contacts that I can ask questions of or show them scenes to vet.
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You just have to sit down and write the next book. I mean, it's not all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book.
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I want the reader to be in the shoes of everyday people who are facing incredible dangers and wonder if they would make the same choices.
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