Bosniak - Director | December 19, 1974 -
Nature and other human beings are something you have to respect and you need.
Jasmila Zbanic
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Cinema connects people: they respond as a group, you feel you are not alone, and you see you are not alone. Capitalism is destroying this social aspect of films, and even empathy, by creating the illusion that you are more important than the next person: 'You will buy this because you are special.' That is horrible.
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I want to show that drama doesn't lie only in blood and destroyed buildings but in daily life, in ordinary human beings.
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My generation has to deal with how to overcome a trauma, how to overcome destruction, and how to tell the truth to the next generation.
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As a woman filmmaker in Bosnia, I have more privileges than disadvantages. I feel I can do more than my male colleagues with a motherly approach rather than a male approach.
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Always, for me, when I am dealing with subjects related to my country that are very emotional, I have to find the right tone and distance because, obviously, I start with anger, asking 'why that happened' and 'why it is still happening.' I work to rise above my personal anger but still stay connected to my emotions. That's a big challenge.
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In my country, though it is very patriarchal and male-dominated, the public enjoys women-directed movies.
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If you love your film, you have to fight for it.
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I have always written - since I was a kid. I might say that I am essentially a writer who is bored to be alone in the room writing. I need to have more people around me. So, I 'write' with a film camera and have a party at the same time by having a bunch of people around.
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I did go to a film school in Sarajevo. I studied film and theatre directing. There was a war raging in the country while I was studying, and we did not have neither electricity nor cinemas for three and a half years.
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I am successful if I manage to make a film that I want and if it works emotionally for the audience and if it stays with them after the screening and means something for them. Awards or money have symbolic power.
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As a child, I used to 'torture' other kids by making them be in my shows. I would sell tickets to neighbors and organize performances.
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