American - Critic | December 10, 1952 -
Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.
James Wolcott
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As music migrates into our iPods, CD collections require less and less room, residing in our heads rather than resounding off the walls. The protracted labor of amassing a personal music library has lost its detective zeal.
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Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.
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It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
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Whenever I catch a chunk of an Adam Sandler comedy on cable, it looks as badly shot and goofily tossed off as a Jerry Lewis gag reel once he hit the late downslide with 'Hardly Working' and 'Cracking Up.'
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Feature-length film comedy is harder to pull off than the episodic sitcom - it doesn't have the same factory machinery up and running, teams of writers putting familiar characters through permutations - but that doesn't explain the widening quality gap that makes movie humor look like a genetic defective.
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Republicans: steely, rational, paternalistic, respectful of authority, easy to herd, the party of No. Democrats: sugary, emotional, idealistic, yearning for novelty, hard to marshal, the party of Oh Yeah, Baby, Make Mama Feel Good.
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In the Tea Party era, it is the restless conservative Republican who has become passion's plaything, the toy of impetuous romance, an erotomania only intensified by the lusting for an upstart savior.
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Mitt Romney - he had a Rock Hudson thing going, shoeblack hair and a well-hung resume, but even for a shameless, position-shifting phony he seemed a trifle insincere.
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Who elected Larry King America's grief counselor? We, the viewing public, did, by driving up his ratings whenever somebody famous passes.
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A typical 'Larry King Live' is a pastiche whose absurdism defies parody. Wearing his trademark suspenders and purple shirts, he looks as if he's strapped to the chair with vertical seat belts, unable to eject.
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The advent of DVD/Blu-ray reissues of classic Hollywood and foreign films has been a boon to film buffs, who can now study their favorites in all their glistening detail and restored palettes.
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