Australian - Producer | February 27, 1977 -
I always say it's very difficult when you're tackling something like 'Spider-Man' or 'Batman' that has been done so many times before.
James Wan
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With 'The Conjuring,' I really wanted to create classical cinema-style film-making, pure cinema as it were.
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There's a reason why Smellovision has never really taken off. And I think it's a good thing.
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Having such a diverse cast and crew is what makes the 'Fast & Furious' films so unique to all the other studio tent pole films that just have a very singular look to them.
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Our culture today that we live in is getting so diverse, yet in Hollywood, there's not a lot of diversity.
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I don't think action alone is enough to sustain a film franchise. There are tons of action movies out there that come and go and people don't care about.
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I think, when you're a director, you get sucked into your project whether you like it or not, right?
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You know what's funny is, when I made 'Saw,' I got accused of being a fascist; when I made 'Insidious,' I got accused of being godless, and now I made the 'Conjuring' films, and I'm accused of being too much God.
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I think what 'Saw' did was really open up a huge branch of lots of these other movies that ultimately retroactively gave the first 'Saw' somewhat of a negative reputation.
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I'd love to be a filmmaker and look back and be like, 'Ah, man, we were part of that whole '80s video nasty thing!'
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I grew up loving X-Men, Spider-Man and Batman. Those are obviously the key big ones, but there's always something kind of cool about Aquaman still, the idea of creating a huge world that is on our planet.
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If I have to point to something specific with the way I move my camera, I love to do it with a wide lens. I like to show you as much of the space as I can, even if I'm following a character.
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