Mexican - Actor | July 22, 1973 -
You should never turn your back on the market that gave you notoriety and be who you are and give you the numbers it gives you in the United States. I can't deny that the success I've had in the United States or the success that 'Pulling Strings' was due to my work in Latin America.
Jaime Camil
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When you do a good comedy show, you have to understand that if you don't have drama or sad moments, then the comedy turns into a clowning kind of situation.
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I love to read scripts. But I am very happy right now to say that I am a working actor. In this town of Los Angeles, the phrase 'I'm an actor' is overrated. So, I like to say, 'I'm a working actor.'
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I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
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If you want to be an actor because you want to be recognized on the street and have people ask you for autographs, look for another career. If you want to be an actor because you love being on stage and want to capture a person's heart, go for it.
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Phenomenons only happen once in a lifetime.
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I usually decide if I'm going to do a movie based on if I like the script or not. I thought 'Pulling Strings' had every single element that a classic romantic comedy needs to be a success. It's very well written. The cast was amazing. It was a decision I made based on the power of the script.
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I had opera training for three years, and I have three albums out. I also did a Broadway show. I'm an actor that sings, so it is in my blood. It is in my system.
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The real mariachis in Mexico are singers like Agustin Lara and Pedro Infante and Jorge Negrete - the Golden Era of Mexican Filmmaking. Mariachis sing very soft and very beautiful. That's old-school mariachi. They are caressing the songs.
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When I'm on stage, I feel alive. It's the most rewarding feeling an actor can live.
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Perhaps I've been perceived more as a romantic comedy actor, but overall, I enjoy acting in any shape or form.
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I love the stage - the fact that you only have one take to get it right, the interaction with the audience, and how every show is different even though you're doing the same thing.
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