Hungarian - Author | November 9, 1929 - March 31, 2016
If the world is an objective reality that exists independently of us, then humans themselves, even in their own eyes, are nothing more than objects, and their life stories merely a series of disconnected historical accidents, which they may wonder at, but which they themselves have nothing to do with.
Imre Kertesz
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When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.
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It is often said of me - some intend it as a compliment, others as a complaint - that I write about a single subject: the Holocaust. I have no quarrel with that. Why shouldn't I accept, with certain qualifications, the place assigned to me on the shelves of libraries?
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The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.
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I came from two harsh dictatorships, Nazi and Stalinist. I never thought of becoming a writer as such, yet in a lucid moment, I recognised what I had to do.
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What I discovered in Auschwitz is the human condition, the end point of a great adventure, where the European traveler arrived after his two-thousand-year-old moral and cultural history.
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No one in my family wrote. And there was no real introduction. I suppose I somehow blundered into it when I was about six or seven years old. I was asked what present I would like, and, without knowing why, I responded that I would like a journal. It was a beautiful journal - so beautiful that I didn't want to sully it.
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I think a man turns into a writer by editing his own texts.
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Writing changed my life. It has an existential dimension, and that's the same for every writer. Every artist has a moment of awakening, of happening upon an idea that grabs hold of you, regardless of whether you are a painter or a writer.
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I was interned in Auschwitz for one year. I didn't bring back anything, except for a few jokes, and that filled me with shame. Then again, I didn't know what to do with this fresh experience. For this experience was no literary awakening, no occasion for professional or artistic introspection.
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I have not changed my opinion that the Holocaust is a trauma of European civilization.
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A book is either autobiography or a novel.
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