American - Director | September 1, 1974 -
Some of the most radical work is being done in the most commercially pop venues, and some of the most boring work is being done in avant-garde territory.
Harmony Korine
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What makes Gucci Mane Gucci Mane is like what made Frank Sinatra Frank Sinatra - it's just him. He's trap's Frank Sinatra.
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I had a guidance counsellor who made me take an aptitude test, and told me I should be a bricklayer.
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Cinema sustains life. It captures death in its progress.
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When I was a child, the temptation to sin was always a romantic option. This romantic option led me to the cinema, a place where sin was welcome.
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Everything has to have some kind of a point for people to breathe easy. What's the point of life? I have no clue, but sometimes there are things that just attract us and pull us in a certain way.
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I use to live on this street when I was a kid where there was an old person retirement home, and all of the old people would listen to that band Herman's Hermits, and they would wear white nursing shoes. And they would throw away stacks of VHS tapes, and I would go through the trash and take them.
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I've always liked street lights, and I've always photographed them. I probably have a collection of two to three thousand photographs of them, just around the city, mainly at night.
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I never cared about making one coherent masterpiece with a conventional narrative. I always wanted my movies to have images falling from all directions in a vaudevillian way. If you didn't like what was happening in one scene, you could just snooze through it until the next scene.
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I was free when I was 12 because I got my first skateboard. I've been free ever since.
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What I remember myself from films, and what I love about films, is specific scenes and characters.
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When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
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