British - Director | September 10, 1968 -
My principal job is to make interesting and entertaining films, and I'm not proud of which format or which particular technique I use. I just wanted the film to look good.
Guy Ritchie
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I got into film-making because I was interested in making entertaining movies, which I felt there was a lack of.
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The English countryside is the most staggeringly beautiful place. I can't spend as much time there as I like, but I like everything about it. I like fishing, I like clay- pigeon shooting.
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The best thing to do is find one person in your life and try to love them unconditionally. If you've accomplished that, you've accomplished a lot.
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Well, what I try to do is throw as much mud on the wall as I possibly can and just see what sticks, what shines as quirky or more interesting that the others, and I try to cling onto that one, somehow join a link from there to there.
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I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.
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All the other guys I think had a scream on Lock, Stock. They just had a laugh and a crack, and thought it would never come out; they were just having a good time. On this one, I felt that.
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I'm not under too much of an illusion of how smart or un-smart I am because filmmaking ultimately is about teamwork.
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I can understand that the whole world is interested in my wife Madonna. That's even why I married her.
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Yeah, I'm certainly a lot more confident on this one than I was one the last one, which I think can be a good thing and a bad thing. But, at least I slept while making this film.
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We can all be conned but at what point do we realize that we're being conned and to what point do we allow ourselves to be conned?
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They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.
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