Australian - Journalist | September 14, 1955 -
I had been afraid of breast cancer, as I suspect most women are, from the time I hit adolescence. At that age, when our emerging sexuality is our central preoccupation, the idea of disfigurement of a breast is particularly horrifying.
Geraldine Brooks
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If screenwriters have to kill off a female character, they love to give her cancer. We've seen so many great actresses go down to the Big C: Ali MacGraw, Meryl Streep, Emma Thompson, Debra Winger, Susan Sarandon.
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For most people, chemotherapy is no longer the chamber of horrors we often conceive it to be. Yes, it is an ordeal for some people, but it wasn't for me, nor for most of the patients I got to know during my four months of periodic visits to the chemo suite.
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'You've got mail!' exclaims the cheery automaton at America Online. The flag on the mailbox icon waves invitingly on my computer screen. For a second, I'm 10 years old again, waiting for the postman's whistle to slice the stillness of an Australian afternoon.
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We are not the only animal that mourns; apes do, and elephants, and dogs. Yet we are the only one that tortures.
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Sometimes I want to have a mental book burning that would scour my mind clean of all the filthy visions literature has conjured there. But how to do without 'The Illiad?' How to do without 'Macbeth?'
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I do believe that our modern English usage has become way too clipped and austere. I have been reading excerpts from the journals of 18th-century seafarers lately, and even the lowliest press-ganged deck-swabber turns a finer phrase than I do most days.
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If somebody from the past doesn't rise up from the grave and start talking to me, I haven't got a book. I have to hear that voice, the voice of the narrator. How she sounds will tell me who she is, and who she is will tell me how she will act - and that starts the plot in motion.
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You can't write about the past and ignore religion. It was such a fundamental, mind-shaping, driving force for pre-modern societies. I'm very interested in what religion does to us - its capacity to create love and empathy or hatred and violence.
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I was so shy. I used to cross the street so I wouldn't even have to talk to my relatives, much less strangers. That's not shy, that's wise. But I found that that when you had a journalist's notebook in your hand it wasn't really you, you see.
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I think probably the scaredest I've ever been was in Somalia. I arrived there when the episode that became known as 'Black Hawk Down' was still taking place. The Americans were still pinned down under fire. And everybody else was basically going the other way, and I was the only one putting my hand up for a flight in.
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The dirty little secret of foreign correspondents is that 90 per cent of it is showing up. If you can find a way to get there, the story, the reporting, it's the easiest you'll ever do. 'Cause the drama's everywhere.
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