American - Musician | May 24, 1989 -
That raw connection between the two performers is something you can't fully plan. You just go with it and get lost in that moment and feed off of each other.
G-Eazy
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Albums serve as paragraphs in an artist's autobiography.
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I played shows in front of like 25, 50 people, and it's a lot harder to do your thing in front of a crowd that's small.
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For whatever reason, it's easier to perform in front of a massive crowd than in front of a small one, but again, that's how we came up.
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I grew up in Oakland, California, and there was a really active scene in the Bay Area. Everyone else knew it as the 'Hyphy Movement' of Mac Dre, E-40, and The Pack.
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We used to approach a small 400-person show like an arena show, as if I was a star and I was coming out on stage in front of screaming people and that I was to be larger than life.
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It's our approach to treat each show like an arena show. We over-invest in production to make the stage look bigger, turning the show into an experience and not just somebody standing around with a microphone rapping.
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If we're deciding about merch pieces, t-shirts or hats, they have to be well designed and cool enough for somebody to want to buy it and then wear it and walk around advertising me and my music.
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My music is very reminiscent of the sound I grew up on and the place where that happened. It's a combination of everything I'm inspired by.
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What costs the world to you as a working kid fresh out of college costs nothing to you as a successful musician.
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I wanna put numbers on the board. And the thing that everybody doesn't get is that it just doesn't happen. It doesn't just fall out of the air and land on your lap; the only way to get it is to get it and put the work in.
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I've definitely grown and evolved as a person, as an artist, you know. Just in terms of my style, my taste, my influences, everything... That's a part of being an artist I think.
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