American - Actor | April 18, 1976 -
I looked at 'Us Weekly' and said, 'I want to be famous.'
Gavin Creel
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It's really hard to go into a creative process and not think, 'I might or might not get nominated for a Tony.'
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I want to be respected by my peers and do really great work, even if it gets panned, even if I get raked across the coals.
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I want to know that I'm proud of what I'm doing.
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I like creating stuff and projects, but at the same time, I do like sometimes just having a routine with somebody else telling me where to go, what time to be there.
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Sometimes when I do a musical, they'll be a scene that comes up, and I'm like, 'Oh, I hate this scene,' but you get through it.
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When I did 'Thoroughly Modern Millie,' it was almost every 'first' I could have imagined: I dreamt someday being on Broadway, and then dreamt someday playing a lead on Broadway, and then dreamt someday of getting to originate a role, and then getting a Tony nomination. It all happened at once. I was just terrified.
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I like singing too much, and I believe in the art form, the musical. When it's great, there's nothing better, and when it's bad, there's nothing worse.
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To be an actor, it's really tough to find your own voice because you're always tied to other characters and going to auditions and trying to get a job, hoping they'll pick you. And I think it's just so important for an actor to have something else that's creative, something that's creative and you're in charge of.
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I think the '60s were a time where they were singing about what was going on around them.
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I guess I originally got the bug for performing when I was in choirs and school stuff and all that. I don't know when. I guess I decided to do it because a lot of people said I was good, and I liked the attention.
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I wanted to be a movie director. I was just obsessed with watching movies and camera shots and directors. I read autobiographies and stuff of directors.
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