British - Producer | 1959 -
The U.K. needs more first class studio space to encourage the growth of the film and TV sector.
Eric Fellner
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'No Country for Old Men' was epic.
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When you watch a Coen brothers movie, it is always so certain about what it is trying to portray. That is their strength. The minute they write a word, they know how it will look on-screen. They are very purposeful, with no kind of mistakes.
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I think Cannes is usually pretty fair in choosing what will play well to the home festival crowd.
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I have always thought we should think less about the British film industry as an entity, and more about getting British talent working.
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The idea that the Tony committee and the New York theater community as a whole have embraced 'Billy Elliot' is very, very exciting.
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You can get swept away by a musical, but real tears are rare.
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It is rare that you read scripts that genuinely move you and make you feel that, regardless of the commercial possibilities, you have to make the film.
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'Billy Elliot' prides itself on being a family show, and it made sense to specifically cater to a family audience with an earlier evening curtain time.
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The writer Richard Curtis is a genius.
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Making movies is like herding cats.
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Somebody has to invest in creating the movies of the future.
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