American - Businessman | May 27, 1955 -
I have a lot of respect for the folks over at WWE, and I have a ton of respect for what they've accomplished within the industry.
Eric Bischoff
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When you hang on a little too long, you disappoint your fans, and deep, deep down inside, you're disappointing yourself, and that's the part that hurts you the most.
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Tony Schiavone - I have always liked and respected Tony.
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You know that Vince Russo... when Russo and I agreed to work together, one of his big ideas was that he wanted Lance Storm to be my son.
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I never got close to the creative in AWA; not only was I not close to it, I wasn't allowed to be in a room close to it when they were talking about creative. That is how tightly held Verne Gagne believed in kayfabing people who he didn't believe needed to be in the process.
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I had zero exposure to creative in WCW up until 1993, 1994. Even then, I was at a distance.
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Bret Hart, you don't really understand the business of the Pro Wrestling business. You only understand the Bret Hart business of the Pro Wrestling business, and they are two different things.
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Here are the facts: when Eric Bischoff came to work for WCW as a 'clean up batter' on the announce team working alongside Tony Schiavone, I came with a guaranteed contract.
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There's a way of getting heat that works for you, and there's a way of getting heat that works against you.
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The only reason TNA hired me was because they had no choice. Dixie Carter wanted Hulk Hogan - that was obvious - but Hulk Hogan didn't trust anybody in TNA. When I say trust, I don't mean to be devious or malicious or anything like that, but he didn't trust their judgment or their ability, nor did he trust Vince Russo in any way, shape, or form.
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When I ran WCW, I obviously had a lot of control over the business, but when I was in TNA, I had no control over anything other than creative.
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One of the reasons The Bullet Club is what it is, while it may be kind of a wink and a nod to the nWo, it's also young, fresh guys of a new generation.
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