Australian - Actor | August 9, 1968 -
I've given no thought to moving to America at all.
Eric Bana
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I deliberately fly in and out of LA for as small a time as humanly possible.
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I race historic muscle cars back in Australia, and that's my hobby. And I try to race home as soon as I've finished a movie but don't tell anyone.
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I'd say I'm the opposite of someone that has the urge to stand in front of strangers and make them laugh, but the idea of getting up and telling a story and people finding it amusing always appealed to me.
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I've never been someone that's had a five-year plan, or a three-year plan. That just seems to lead to a lot of disappointment, and doesn't give you the chance to be flexible.
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The most serious film can be the most fun. The one that's supposed to be fun can be the most serious.
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I think there are times when you walk onto a set you can potentially be either intimidated or distracted by what's going on around you.
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I never look at the size of the film when I'm looking for a part.
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I think the beauty of working with young people is they remind you of the spirit of acting and it's just a big play.
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When I go on the plane to fly home, I'm literally capable of forgetting what I do for a job. That also comes about because I choose to take massive breaks between projects, and because I choose to do this ridiculous thing of keeping home, home.
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It's always bitterly disappointing to people to see how normally one can live.
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I've always described parts as tattoos. For actors our tattoos are in the form of films.
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