American - Musician | March 2, 1975 -
I work on a musician's week, so Monday is Friday. By the time Thursday rolls around, you stay in, and you work, and you don't go out because it's horrible.
El-P
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The last Company Flow reunion show in New York City was pretty insane. Everybody knew all the words to every song; everybody had smiles on their faces. Those shows are what you hope for every time you get on the stage.
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My videogame mind died after they stopped making wonderful escape worlds - every game just turned into me training to be in the army. But I used to love the Oddworld and 'Abe's Exoddus' and 'Abe's Oddysee' for Playstation.
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I really want to produce a record for Mary J. Blige.
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There are two types of people, two types of performers: Performers who know how to keep a show going, literally, when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
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I just don't believe in making music about making music anymore.
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I don't believe in collaboration necessarily for collaboration's sake, but I will do it, and sometimes it's great.
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I don't necessarily think the way people do, but that's not my problem. My problem is not to reinforce or destroy any ideas anyone might have about me, how I do what I do, what my intentions are, the way that I do it. My only job, as far as I can see, is to do the music that I want to do.
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Some of the music I made for 'Fantastic Damage' I thought I was making for the Company Flow album, but the majority of it was post-Company Flow.
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I don't hate Jay-Z. I think he's dope.
HateThinkDopeHeI ThinkJay-Z
I've never had a huge collection of records; I've never been a beat digga. I never been one of these guys who drives cross-country and knows some one-legged sailor who has a boat parked off some pier with a thousand Russian funk records that he stole from the Red Army in 1972.
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I would have to be traditional and say that my favorite era of hip-hop was between '85-'89. That was the era that got me to love hip-hop.
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