American - Director | October 8, 1952 -
I might have painted myself into a bit of a corner doing all these big, serious David Lean-esque movies.
Edward Zwick
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I know that when I'm writing, I always want to be directing.
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If you take away scale, the nature of the story changes. I made a joke the other day: if I were to try to make 'Glory' now, rather than be about a regiment, it would be about a platoon. It would be seven men in the woods rather than all the men on the beach.
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I was trained in the repertory theater. You would do Moliere one night and Sam Shepard the next.
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I've always been drawn to all sorts of genres and all sorts of voices.
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I guess television is so much on the word. It's so much closer to playwriting - the scale is more just about the voices and the internal lives. Movies, it's a very different canvas.
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I've never been one of those guys who storyboards every frame, because that would take away some of the mystery and some of the fun.
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My job is to tell the truth about what's happening as best I can.
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When my own son was 12, we didn't want toy guns in the house. So he just picked up a stick and went, 'Bam! Bam! Bam!' That's the testosterone of a 12-year-old boy.
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There's a rising tide of concern among activists, economists, and artists about Africa. Theres a temptation to think of it as a monolith as opposed to all these different countries with different problems.
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I would say that 'Schindler's List,' as powerful as it was, seemed to have continued with a particular iconography of victimization and passivity. That was the iconography with which I had grown up and to which I had grown accustomed.
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'Milk' doesn't imply that all gay men who stayed in the closet were cowards.
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