British - Designer | 1972 -
I can't just go in and throw clothes at a picture. I still have to have some kind of an idea of a character, of who she is, where she's from. It's almost like playing a child's game. You have your dolls, and you create characters for them. Fashion indulged that in me.
Edward Enninful
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For me, fashion succeeds when it says something about the times we live in.
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When I started in the nineties, a sample size was a 4 and a 6.
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I grew up reading 'British Vogue' - I am so honoured and humbled to be taking up the mantle of editor.
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'British Vogue' is a great magazine with a legacy of creativity and innovation.
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I don't think everything has to be new all the time. You don't have to have the latest designer all the time to look good. Just have things you're comfortable with, have key pieces that you can sort of reinvent over and over again, and always keep things that you really love for a while.
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A lot of my friends, we all grew up sort of not very wealthy. And in England, whatever ends up being a negative, that's a positive.
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The best photographers know how to light any color skin.
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I think if you're really good at what you do, you can see outside the box.
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I'm so fascinated by the influence of social media on fashion. I've seen so many artists on Instagram, up and comers you would have never known otherwise.
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Coming from a family who put a lot of emphasis on academics, I always thought I was going to be a lawyer.
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When I was really young, I had an afro and wore pressed jeans and argyle sweaters. In my teens, I moved on to ripped Levi's jeans, white T-shirts, and cowboy boots.
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