English - Actor | February 25, 1960 -
There's a certain amount of screwball and genius in 'Willy Wonka.'
Douglas Hodge
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It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
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The only way I survived at school was by doing impersonations of teachers and pupils. That led to me winning a talent competition when I was 16; the prize was three or four gigs in working men's clubs. I was just showing off: at the time, I thought that's what acting was.
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The review I've been most offended by came when I played Hamlet. I'd always prided myself on being an 'invisible actor' and not getting in the way of the play. But this review didn't mention me once. That's worse than being insulted.
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I've been doing a little project with my 11-year-old son, Charlie: we're canoeing from the source of the Thames to the Houses of Parliament. It's taken us three years so far, and we're only half way.
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The next Bond ought to be a woman or, at least, a black actor.
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I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.
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I'm very prescriptive about my routine. Almost nothing changes: I have the same meal - pasta with Bolognese sauce - between shows; the person who dresses me stands on the same side every time; I take the same route to the stage. I'm very OCD about these things, as most actors are.
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As soon as I walk down that sticky six-mile patterned carpet that welcomes you at Heathrow, I buy the Sunday papers and read the fashion supplements cover to cover. Even though hardly a single word in them seems directed at any male who ever lived, I find them compulsive reading.
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I grew up in Gillingham in Kent, and my dad commuted to Victoria Station every day. I remember travelling in with him one day and the noise, the people, and the heat leaving me wide-eyed and grinning.
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While I was in 'Inadmissible Evidence' at the Donmar, I was mugged at the HSBC ATM on Shaftesbury Avenue. I grabbed one of the men, and when the police arrived, they put both me and him against a wall until they worked out which of us was the criminal.
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For a time, I really thought acting was just impersonating. But impersonation is just big brush strokes, really. What makes acting different is empathy.
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