American - Actress | December 11, 1942 -
My message is - keep moving. If you do, you'll keep arthritis at bay.
Donna Mills
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Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter.
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I'm back to doing everything I used to, loving life as ever.
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You really have to love the work. You can't look for stardom. That's a by-product.
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I kept bugging them about making it more upscale, because I felt Abby, through her cleverness and business sense, was a character who would move up. And that's what she did.
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I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using.
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I was tired of playing the goodie-two-shoes.
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There were episodes where I would wear seven or eight outfits. It took a lot of time to get those together. What the character wears is very essential to how I create the character.
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You know, when they called me about the role, I thought Knots Landing was a show about a houseboat with Andy Griffith!
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I found through my fan mail that women... really wanted a role model.
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I thought it was very important that femininity wasn't lost.
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I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant.
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