- Poet | January 23, 1930 -
My delight in things is definitely Caribbean. It has to do with landscape and food. The fact that my language may have a metrical direction is because that's the shape of the language. I didn't make that shape.
Derek Walcott
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There are some things people avoid saying in interviews because they sound pompous or sentimental or too mystical.
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Individual writers have different postures, different stances, even different physical attitudes as they stand or sit over their blank paper, and in a sense, without doing it, they are crossing themselves; I mean, it's like the habit of Catholics going into water: you cross yourself before you go in.
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Minor writers think style is all.
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When a child's mind develops and is heading in a certain direction, we murder that mentality, we murder that imagination, by saying, 'Now, that is all well and good, but now sit down and start to study.'
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That's another pompous expression that is out of fashion, to say that poetry is a gift. It sounds pompous because you say, 'Who gave you the gift, and what is this gift?' And the gift is where I am; the gift is what I have come out of, the people around me who, I think, are beautiful people.
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Ted Hughes is dead. That's a fact, OK. Then there's something called the poetry of Ted Hughes. The poetry of Ted Hughes is more real, very soon, than the myth that Ted Hughes existed - because that can't be proven.
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There is no one more deserving of a place in Poets' Corner. Ted Hughes introduced a new kind of landscape into English poetry. The most compelling aspect of his work was his intimacy with nature.
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I think, at the heart of the idea of American democracy, there is something tender.
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There's a ritualistic element to tragedy that everyone shares; there's something curiously glorious in terms of the most horrible kind of events that happen.
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I have no curiosity. I'm an island boy.
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There's always a need at a critical time for poetry.
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