American - Director | February 7, 1977 -
I'd go to lesbian parties. I felt like I wasn't hard enough to be butch, but I wasn't wearing heels and a skirt - I wasn't femme - so I felt like I was sort of invisible.
Dee Rees
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When I first came out, holidays were hard. I reached a point where I didn't go home anymore. I constructed my own, kind of like, family group around Christmas.
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'Mudbound' highlights the fact that we're still battling a lot of the same issues as we were all of those decades ago.
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For me, like, obviously, I want to see myself onscreen.
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I want more images onscreen because when I was growing up, I think, like, that one kiss in 'The Color Purple' was the one thing that I had. Or 'The Watermelon Woman.'
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Creatively, I just like interesting characters. So straight, gay, or whatever - like, whatever, wherever the characters are coming from or their lifestyle.
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I'm interested in telling stories about characters that are interesting and who are challenging in some way, one that will make you think about them afterwards.
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I grew up listening to Mary J. Blige's music. When I initially met her, it was like, 'Oh, wow. I'm meeting this woman whose music was the soundtrack of my college years.'
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To me, if you can do the Wicked Witch live, you can play anybody.
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For me, Sundance always felt big. It's not the only way to make your way, but for me, it was definitely that critical link between struggling artist, kind of working on my own, to actually working professionally and being connected and being seen.
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My ultimate dream was just to be an auteur.
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I had this thing where I only wanted to work on original material, no adaptations, and obviously, that changed. I really wanted to have the resources and have the space and the time to tell stories that I've really cared about. I've kind of changed my approach, but I've gotten to do that, to tell stories that I really care about.
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