British - Director | September 26, 1969 -
Certainly there is a lot of collaboration, but there is also a lot of clarity that has to be had in the vision that you have for the film when you come in as the director. Without that, there's no bullseye to be aiming for.
David Slade
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Film is always a fight because you're the person, as the director, with a clear picture in your head of what you think is really exciting, and you're just trying to convince a bunch of other people to buy into that.
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I don't see myself as particularly highbrow. I am much more populist.
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Personally, I have nightmares about the unstoppable monster.
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Films are pushing envelopes in terms of what is horrific, but also on other areas: in video games, in comic books and outside life.
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Computer-generated monsters - people shoot them all day with videogames, you know, so kids aren't going to be afraid of that. People are getting immune to scares.
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There's so much burying of heads in sand going on in the U.S., people are finally beginning to recognize that the environment is dying, but it's far too late, and I am conflicted.
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I think it's really difficult to justify converting a film that wasn't shot in 3-D into 3-D. I really do believe, as does James Cameron and all the people who are actually pro-3-D, that you have to go out and shoot it that way. You have nothing but compromise if you don't.
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As a director, it just makes my life fantastic to work with people like Elizabeth Hawthorne.
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