American - Director | December 26, 1980 -
Making movies is hard for me. Being on set is very trying. I'm not good at being that communicative for that long. Editing is where I'm happiest.
David Lowery
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I made 'St. Nick' on a 30-page outline. 'Aint' Them Bodies Saints' was a full-bodied script, but it still had a lot of room for improvisation. There were scenes that weren't there on the page - just a sentence saying something happens. I was like, 'We'll figure this out when we shoot it.'
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I think, with 'St. Nick,' when you're working with a smaller budget, you have fewer risks involved. You're able to take chances with style and content.
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I love film criticism as an art. I think it's a very important thing.
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In the past, I'd been sort of a fan of writing a coat hanger of a script, and something I could hang ideas off of.
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No two people who make a movie on a certain budget scale are going to achieve the same thing because it just depends on what sort of favors you can call, and what sort of dynamics you can pull in the play.
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I'm always making movies for my audiences, but I'm not trying to meet their expectations.
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I'm someone who is very sentimental and nostalgic and attached to the homes I lived in, and I think moving is a traumatic experience.
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It's tough for me to move on from places, even though I realize that it's not only necessary but very important to be able to do so.
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I think all people are familiar with thinking about their death and trying to come to terms with the fact that we will, at some point, no longer exist. The loss of one's ego is very tough to reconcile with; you really have to do a lot of mental gymnastics to wrap your head around the idea of just not existing anymore.
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Especially in the Western world, so much of our cultural ideas about grieving is about us, and I think it's important to get beyond that sometimes.
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I have a very short attention span, which is funny. I mean, you'd watch me and think that I don't, but I actually do.
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