American - Dancer | -
Where a city is only focused on one aspect, it becomes a city without a soul, not a city people want to live in.
Damian Woetzel
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I like that feeling of letting loose, of not planning every step. The best performances are the ones that you just let happen.
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There are a lot of possibilities I'm looking at for the future, but I'm very insistent on not limiting myself.
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I'm going to do some consulting for nonprofits and arts agencies. These are areas I'm interested in that didn't come directly out of Harvard, but certainly I started looking at things in a different manner.
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My whole life was geared toward being a highly educated person.
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As a dancer running around the world, I always questioned whether that's what I wanted to do.
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The chance to work on Broadway choreography as opposed to having to deliver Broadway choreography can be two distinct things.
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I traveled so much to dance that I feel a part of many places, but New York is where I spent most of my life and where my career has been - it's the place where I exist.
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Dancing was one of the hobbies my brother and I had when we were kids, and dance ended up being the one that stuck. I dropped everything else until that was what was left in the end.
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The challenge is maintaining your interest over a long career, as opposed to pushing hard with no longevity. I'm surprised that I've been able to dance as long as I have.
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I haven't fallen that much, but when I have, it's usually in the attempt to do something worthwhile. As for recovery, you just have to get up!
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I have long been interested in exploring and advancing the valuable relationships between the arts and society.
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