American - Musician | February 15, 1980 -
I try to make all my songs good. I don't ever write one to finish one. A lot of protest songs end up that way, driven by some kind of emotional response.
Conor Oberst
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My main thing is just to keep writing. I've been doing some songwriting that's for my own record, I suppose.
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My family is Catholic. I went to a Catholic school, that kind of thing, so that was my childhood for sure.
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The idea of forever is kind of ridiculous, which is unfortunate because it's kind of a nice thing to say, you know. I think it softens the blow of mortality and having to say goodbye to everything you know and everyone you love and all that kind of thing.
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I don't really premeditate what I write my songs about; you know, they just kind of happen, and I can't start writing songs to please a certain group of people or propagate a certain message all the time. That's just not how my songwriting works - it just sort of comes out, and the songs are what they are.
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I think there are some songs that stand the test of time better than others for sure. I think some songs go out of favour; I'll get sick of a song for a while, and I won't play it; then it'll make a comeback.
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If there's a criticism of 'Cassadaga' that I agreed with, it's that we left things in the oven too long, that songs were overstuffed, with too many ideas competing for space.
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The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.
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I'm proud that with 'Bright Eyes' we've always experimented and tried to make a different record every time out.
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So much of listening to lyrically driven music is projecting your own feelings and experiences into the music.
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I didn't used to think about politics much, or social issues. I was a teenager, writing about girls.
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I'm very interested in writing - it just takes so much discipline, whether it's short stories or novels.
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