- Artist | June 13, 1935 -
We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
Christo
WorkRiverKnowNeverCalifornia
I do a lot of work that's permanent. The drawings, the sculptures, they're permanent.
WorkPermanentLotSculptures
It's very important to understand that we never do the same thing twice; each of our projects is unique. We'll never do another 'Gates.' Each project is a unique image. We do not know in advance how the work will look. I do preparatory drawings, but they are only projections of our vision.
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Some of the projects we've proposed over the years have been refused. But we never do other people's ideas; our ideas come out of our two hearts and our two heads.
PeopleIdeasNeverTwoOverOut
Often the art in New York is related to the buildings, to grandiose things.
ArtNew YorkBuildingsNewThings
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