British - Musician | March 4, 1948 - June 27, 2015
I couldn't get session work because most musicians hated my style.
Chris Squire
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We started Yes as a vehicle to develop everyone's individual styles.
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Of course, Paul McCartney's sound is different from mine, but it's the way you hear things, really.
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I've had to replace parts in the basses when they've gotten old or worn out, so everything isn't absolutely original.
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I guess I've become very accustomed to playing in the 7/4, which is something we've done quite a lot.
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I've been called the journeyman. It's really more by default than it is by design.
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The band will be going along, and somebody or another will say, 'I want to go off and do a solo career.'... They come back, and other people come in.
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We've done very different Yes albums - 11 bars, 13. I think we had something that had 17/4 in it. It's just like anything - the more you do it, the more you have to do it.
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Touring is a tough business.
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The idea of 'Yes on Broadway' has come up. It would reflect the history of Yes.
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I have never played anything live - except for a few special occasions - from 'Fish Out of Water.'
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In many ways, I think about the possibility that there could still be a Yes in 100 or 200 years from now, just like a live symphony orchestra.
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