French - Actress | February 5, 1946 -
Training is fabulous because it gives you a basis, a strong structure, so that when you're unbelievably nervous and you think that you can't get a word out, you will get the word out.
Charlotte Rampling
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The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
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French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that.
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A film based on a jolly good John Grisham book is fine, but I like to get a bit under the skin.
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European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films.
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You can never really judge your work because once it's done, it's done.
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A lot of young actors will do a scene and then run off and look at themselves. I don't believe in that at all.
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Doing cinema is not about watching yourself.
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You cannot watch yourself dispassionately.
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I think that most actors don't have very good opinions of themselves.
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I am fascinated by the whole process of what it's like to be alive, whether it's unbelievably uncomfortable and horrible or whether it's quite nice.
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I remember my father saying to me once, 'I finally know how to describe you, Charlotte. You're prickly.' And he was right - prickly is a very good description. If I had to be an animal, I'd probably be a porcupine.
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