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The Inhumans are almost a mythological creation unto themselves. They're royalty, and are always involved in Marvel's cosmic events. But with the explosion of the Terrigen bomb and these new Inhumans coming to light, it brings a new street level aspect to add to the royalty aspect.
Charles Soule
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The decision to work with Marvel for a while isn't any sort of denigration of DC. I had a fantastic time there, I was treated extremely well, I have strong positive feelings about all of my editors and the DC universe of characters, and I look forward to hopefully working with them at some point down the road.
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I actually imagined 'Thunderbolts' as a straight-up comedy book in a lot of ways, like a very dark comedy book, whereas 'Red Lanterns' is more of a cosmic saga that has some jokes every once in a while.
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'Thunderbolts' I was mostly attracted to because I really wanted to write Punisher and Elektra and Deadpool, who are characters I have always really enjoyed. But the funny thing is that over time, I came to really like Red Leader; he became one of my favorite guys in the book. Sometimes characters surprise you.
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I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.
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The Marvel universe is a deep, weird, woolly place, and getting to expose strange corners of it is part of the fun of 'She-Hulk.' Honestly, it's part of the fun of any Marvel book.
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I've always loved the idea of mythologies linked to or underlying everyday life, like the kami gods of Shintoism, where every rock, tree and stream has its own little god associated with it.
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Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.
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I actually started trying to be a professional writer with novels, and I wrote two that exist and are around... kind of. But they never really went anyplace in particular. I still like them both. What it showed me was that you can spend years on a novel, and then it could just be, like, OK, you spent that time and that's that.
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Of all the things I've done, the first 'Strongman' story was one of the easiest things to write. It was almost fully formed from the get-go. It's almost a 'Dark Knight Returns' riff, except you have a battle-worn Mexican wrestler instead of Batman.
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I like writing characters that seem different from one another. So if you were to hypothetically look at a bunch of lines from books I've written, just out of context, hopefully you would be able to determine who said what. That's the goal, anyway. I try to strongly differentiate through dialogue.
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I love comics work, and I hope I never stop doing it. But at the same time, I have my own law practice that I've built up over quite a while - it's been more than a decade that I've spent building that business - so it seems a little premature to just shut it down after nine months of working at a high level in comics. We'll see.
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