American - Author | 1980 -
Writing, for me, is an extension of thinking - it's my way of processing, and only when I've gotten something down on the page have I thought through it fully.
Celeste Ng
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It's incredibly rewarding to have people come up to me at readings and say, 'I'm not Chinese, but this is the relationship I have with my mother.' Or say, 'Your book made me think a lot about my parents, and I've decided to sign up for counseling.' That is mind-boggling.
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With the first novel, I had to tell myself, 'No one is ever going to read it, so you might as well just write it.' With the second, I was pretty sure someone was going to read it.
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With the first novel, I was concerned I would be pigeon-holed as an Asian-American writer, and the book would be labeled for Asian-Americans only.
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I wrote 'Little Fires Everywhere' and sold the book in 2015, still the Obama years. The possibility of a Trump presidency was not on my radar.
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Debut novels are difficult because nobody knows you... they just don't find a huge audience, because that's how the market works.
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I loved growing up in Shaker Heights, and I really miss it.
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I'm very much a people pleaser, and the first book had such a devoted and loving following.
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I think one of the reasons that I like fiction versus nonfiction is that I myself can kind of disappear from the story.
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What you look for as a reader is somebody who is going to take you and say, 'C'mon. Come into the story. I'm going to show you what there is to see.' The guide who is going to tell you, 'Pay attention over there,' or, 'Do you remember that other thing? Now watch!'
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No reader wants to sit through the same scene four times in a row, unless they're radically different.
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I'm really interested in how we understand each other - and whether we can understand each other.
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