American - Director | October 21, 1955 -
As a director, we work ridiculously hard on every detail, and we do everything to the billionth degree, and mostly people notice nothing.
Catherine Hardwicke
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I don't like the sterility of the casting office.
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As the director, you cannot control what people do after hours or in their trailers or on break. Why would you want to? But you can't.
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I had always liked, well, who didn't love Lestat and fall in love with 'Interview with the Vampire,' and 'Nosferatu,' and Coppola's 'Dracula' with the awesome costumes? So I loved all that.
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Zombies, mummies - they're disgusting and gross. You don't want to make out with a mummy. At least, I don't.
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As you study vampire legend throughout history, it goes back to almost every culture. South Africa, Indonesia, crazy places have that legend and that idea of immortality.
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Some directors I worked with didn't even know how to read a blueprint, understand a plan.
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I have a bunch of movies that are, like, two minutes from being green-lit, or that they've maybe even told me are green-lit. But I never believe it until I see the money.
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Stephenie Meyer said she's ready to move on from 'Twilight,' but you never know.
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Before 'Twilight' was greenlit, I had four projects at four studios. I worked super-hard on all of them, but 'Twilight' was greenlit first.
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Can you have it all, as a woman? Can you be a creative artist and have stability and a home life? How much can you stretch yourself as an artist?
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When you're in a creative flow with somebody - and I had this back in architecture school - you're just so passionate about what you're doing, and if that other person is just as passionate, you'll be madly in love with them. It's just that thrill of creating.
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