American - Artist | -
When I do actual sequential work, I really want a story I can get a behind: a story that really holds my attention for, like, the length of what I'll be working on.
Brian Stelfreeze
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I believe monthly comics and the extended miniseries are the true hallmarks of comic art and storytelling.
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The detail of my art depends entirely on the project itself. I tend to be a little more detail-oriented with covers than I am with interior pages, and I try to reduce the detail on action sequences as opposed to suspense passages.
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I like it when I'm watching a movie which has a harmonious feeling to it. It's as if the environment puts you in the mood for the characters and story you experience.
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'Day Men' provides a magnificent challenge in that it deals with a secret society within a secret society.
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The cool thing is, I was a little nervous about how they were going to handle Black Panther in his own movie, but then when I saw 'Civil War' and just the perfect way they handled him in that movie, it made me even more excited about a Black Panther film.
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I started my work on a lot of the 'Batman' books. So I've worked on a 'Batman,' 'Spider-Man,' some of the 'X-Men' books.
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Much like every artist or every creator, I got into comics as a kid, and the most important thing was the 'bang zoom' of it. As many explosions as possible.
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As I've grown as a creator, I feel that I want to tread in deeper waters and have a lot more going on emotionally with the characters. That's my appreciation for comics as a creator and a consumer as well. I'm more into stories that don't just bounce off the surface but go a little bit deeper.
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In a collaborator, I always look for someone who's going to push me a little bit.
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There's an attitude that I have where I bring the art to the table and the writer brings the writing to the table, but neither of us brings the story to the table. The story is something that only happens with the combination of both of us.
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