American - Writer | July 17, 1976 -
By the time you have your protagonist attempting to assassinate the Pope, you've sort of signaled that everything is on the table.
Brian K. Vaughan
TimeYouTableEverythingYourPope
There's always that relief you feel when you're working on your own series that you can actually make it to your planned ending and that your audience will still be there to support you - and that your publisher will still exist.
SupportEndingFeelYouWillAlways
I was only ever part of 'Lost' - a very small part of an extremely talented writers' room, where as a writer, it's sort of your job to sublimate your ego and work in the service of the show and the show's voice.
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I don't think I have discipline when it comes to anything.
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It's cool because I think 'Ex Machina' is a little bit under the radar, which is always when I do my best work - when I feel like no one's paying attention.
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Even though I was trained in play writing and screenwriting, when I sat down to write a comic book for the first time, Alan Moore was first and foremost in my mind.
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I sort of jumped out of movies and into the lifeboat of comics. I loved it right away. It was the opposite of film school. Whatever was in my imagination could end up in the finished product. There were just no limitations.
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I was embarrassingly well-versed in Marvel lore, so it was pretty easy to slip into that world. But really, already, by the time I'd started writing superhero comics, my dream was really to be writing my own characters.
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I never liked working on editorial-driven comics. I just didn't see what was the point. They don't pay well enough for me to write other people's ideas.
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I am a big theater fan. It's mostly just being pretentious, I think, and trying to look smart.
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I wanted to write a story about a future where everyone has a secret identity, in part because the Internet no longer exists.
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Print and digital comics will always coexist.
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