American - Writer | July 1, 1963 -
I write literary biographies, so above all, I have to love the subject's books. But choosing a subject is tough.
Blake Bailey
LoveToughWriteAboveTo Love
I keep three framed photographs on my desk: the latest school picture of my daughter; a photo of my wife getting her diploma from the University of Chicago; and Lytton Strachey, looking serenely self-possessed.
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My father was a golden boy from a very small town. He won a very prestigious law scholarship to NYU Law School, and there in Greenwich Village, he met my mother, who was very young, fresh off the boat from Germany.
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To be a good biographer, you have to be an empiricist. You know, you have to gather the evidence, you have to keep an open mind, and you have to be objective. A memoirist goes in with all the baggage of a bad biographer.
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I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and that's very much the same ethos as what Richard Yates and John Cheever wrote about.
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I'm a huge fan of 'The Lost Weekend.' I have this dog-eared copy of the 1963 Time Reading Program edition, which was a series of contemporary classics reprinted as a quality paperback.
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The whole psychoanalytical establishment in America at midcentury was geared to make people with homosexual proclivities feel like monsters, moral degenerates.
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I'm not an academic; I'm just a bookish Joe who gets passionate about certain writers and suddenly wants to read everything they've ever written and find out why they wrote it.
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If possible, be funny.
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With literary biographies, you're either shelved with other biographies or next to your subject's fiction.
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