Icelander - Actor | February 27, 1966 -
In Iceland, the weather is the biggest character you deal with every day. There's nothing more relevant in your life than what kind of weather it is.
Baltasar Kormakur
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The winters are too long, and there's only one airline, so it's difficult to escape when you feel frustrated or claustrophobic. The audience for our films isn't very large, so it's difficult to support an industry. But, Iceland is beautiful. Sometimes it's hard to imagine living anywhere else.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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I don't see Hollywood as the big enemy, because this is where the money is, and not all of the companies are doing studio movies. I'm not tempted to sell out. If I'm going to become well known, I want it to be for something I'm proud of.
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With a huge storm, you need a lot of volume, but it can't become one loud noise. Dolby Atmos helped a lot because it gave us the separation of those elements.
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I really wanted to make 'Everest' visceral, real. One thing that amazed me when I was scouting in base camp is the volume of Everest: It's humbling. I wanted to find a way to bring that to the screen. One way was 3D.
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'The Oath' seems like the perfect project for me, coming off the back of a big-scale adventure film like 'Everest.' I want to delve into an intimate, dark and psychological world where the characters are claustrophobic.
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I want to work with directors who can tell intimate stories in a way that feels universal and with a big enough scope and depth to travel outside of Iceland.
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I developed 'Trapped' because I was fascinated with the idea of a terrible crime in a small town cut off from the rest of the world.
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Vikings were pretty brutal, but also very educated people. They were salesmen, businessmen who started raiding when business wasn't good. That's why they had such great boats.
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I started as an actor, then became a theater director. I loved acting but didn't feel as confident as I needed to be, so I started directing theater; then I played in some movies, and then I felt the need to do my own stuff.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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