Venezuelan - Musician | October 14, 1989 -
I like contradictions, and I like exceptions. I don't like rules and dogma.
Arca
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I've come to the conclusion that the best way for me to grow is in a very self-forgiving way: to take a risk and, in response to how a record pans out, take a risk in the opposite charge.
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When I met Bjork, I felt like it was a friendship first; it was like an oxygen you get from a person you only can exist with symbiotically. It's one of the most beautiful relationships I've had. She is incredible.
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Hip-hop, at its best, is disruptive.
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I hoped that being attracted to men might go away, but what I never ever hoped would go away were the feelings of femininity, and of softness and fragility, that could live inside of a boy. They were private, but they were mine.
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There's something in glitchy music that I like to get lost in.
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I think there's a certain poetry to having your body reflect what you feel inside of you. Perhaps you have a feeling that's so pure, or overwhelming inside of you that your body disfigures to it - contortions match your confusion.
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I have a very healthy dose of scepticism towards what identity is and what personas are, maybe because of my life journey. Identity is something so malleable.
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Once you share what you're communicating with your audience, then you can make more sense of it in a subconscious way.
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I always make a point to make my records different. Let's say I have a record that's influenced by hip-hop in an abstract way; for the next record, I'd try not to do that. They are all connected in a personal way but it's important not to repeat myself, because then I can always learn something about myself through my work.
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When I was younger, I used to say, 'I'm not making music. I am getting catharsis for emotion.' For me, vulnerability is an act of uncovering. It's a revealing: the idea of putting aside your armour and allowing pain to enter.
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