American - Photographer | October 2, 1949 -
In a portrait, you have room to have a point of view. The image may not be literally what's going on, but it's representative.
Annie Leibovitz
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My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with the 35 mm.
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A very subtle difference can make the picture or not.
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As a young person, and I know it's hard to believe that I was shy, but you could take your camera, and it would take you to places: it was like having a friend, like having someone to go out with and look at the world. I would do things with a camera I wouldn't do normally if I was just by myself.
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When you go to take someone's picture, the first thing they say is, what you want me to do? Everyone is very awkward.
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No one ever thought Clint Eastwood was funny, but he was.
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I don't think I could give advice to my younger self because she probably wouldn't listen.
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When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
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I am impressed with what happens when someone stays in the same place and you took the same picture over and over and it would be different, every single frame.
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I realized I couldn't be a journalist because I like to take a side, to have an opinion and a point a view; I liked to step across the imaginary boundary of the objective view that the journalist is supposed to have and be involved.
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I went to Yosemite as an homage to Ansel Adams. I could never be Ansel Adams, but to know that's there for us - there's so much for us in this country.
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There were some advantages to being a woman photographer. I think women have more empathy with the subject.
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