Irish - Author | October 11, 1962 -
I'm quite interested in the absolute roots of narrative, why we tell stories at all: where the monsters come from.
Anne Enright
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To be able to have the space to sit down and write has always been my central policy.
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I was raised in a very old fashioned Ireland where women were reared to be lovely.
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I think it's very important to write a demythologized woman character. My characters are flawed. They are no better than they should be.
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I write anywhere - when I have an idea, it's hard not to write. I used to be kind of precious about where I wrote. Everything had to be quiet and I couldn't be disturbed; it really filled my day.
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I'm really lucky with the people around me. They know me, so they don't confuse the issues, really. They know what a book is and they know who I am and they know the difference between the two.
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I find being Irish quite a wearing thing. It takes so much work because it is a social construction. People think you are going to be this, this, and this.
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I can't think of anything you might say about Irish people that is absolutely true.
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Ireland is a series of stories that have been told to us, starting with the Irish Celtic national revival. I never believed in 'Old Ireland.' It has been made all of kitsch by the diaspora, looking back and deciding what Ireland is. Yes, it is green. Yes, it is friendly. I can't think of anything else for definite.
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Recently I read the stories I wrote in my early 20s, to put in a volume. And here is this brittle young woman, writing about marriage as, not the worst thing, but the most boring thing that could happen to a person. Now I think I was wrong. I like to be proven wrong.
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I am interested in levels of brain discourse. How articulate are the voices in your head? You know, there's a different voice for the phone, and a different voice if you're talking in bed. When you're starting off with a narrator, it's interesting to think, where is their voice coming from, what part of their brain?
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There's no such thing as a life that is not normal, or, there's no such thing as a life that is not abnormal. We all have amazing lives; we all have very dull lives.
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