English - Editor | November 3, 1949 -
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
Anna Wintour
CultureWorldFashionSocietyTrying
Mental health is an area where people are embarrassed. They don't want to talk about it because somehow they feel they're a failure as a parent or, you know, they're embarrassed for their child or they want to protect their child, lots of very good reasons, but mental health, I feel, is something that you have to talk about.
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Fashion is a reflection of the time.
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I think possibly what people working for one hate the most is indecision. Even if I'm completely unsure, I'll pretend I know exactly what I'm talking about and make a decision. The most important thing I can do is try and make myself very clearly understood.
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'Vogue' and 'Vice' may appear to some to see the world through different lenses. But in my view, both are fearless and breathtaking, with unquenchable curiosity and vigor.
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It's very important to take risks. I think that research is very important, but in the end you have to work from your instinct and feeling and take those risks and be fearless. When I hear a company is being run by a team, my heart sinks, because you need to have that leader with a vision and heart that can move things forward.
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For us, creativity means thinking about the lives of our audience and how to connect with them.
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I'd always been extremely fascinated by the French Nuit Blanche, which is a weekend that they have in Paris where they keep all the museums open until dawn. You can go and hang out in Versailles in the middle of the night and watch the sun come up.
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If my style is too direct for some, maybe they should toughen up a bit.
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Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.
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I have learned that documentary makers are incredibly sneaky people.
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Traditionally, those that work in fashion have always had the point of view that items made by hand have their own aura and are something special.
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